STABAT MATER - PART - PARIS
Programm
Stabat Mater - Arvo Pärt
Creation for 3 voices and string orchestra
2 instrumental pieces
4 pieces for counter tenor
Performance
Saint Louis des Invalides Church - Paris
Thursday 17th of November 2022
Cast
Aleksandra Kurzak - Soprano
Andreas Scholl - Contre ténor
Roberto Alagna - Ténor
Tomasz Wabnic - Alto
Yuuki Wong - Violon
Morphing Chamber Orchestra
Conducted by CHristian Erny
Press Review
Nieuwe Rotterdamsche Courant - Joost Gaalem - Nov.22
❝Countertenor Andreas Scholl and the married couple Roberto Alagna and Aleksandra Kurzak, together, make Pärt’s Stabat Mater an UNFORGETTABLE and PENETRATING EXPERIENCE ❞
READ MORE (EXCERPTS translated from Dutch) | Pärt will convince you of the meaning of existence - […] Uncovering the spiritual power of Pärt's work, of course, requires good interpreters. He gets this inspired performance with the strings of the Viennese Morphing Chamber Orchestra and three singers of various styles, such as the 'spiritualized' countertenor Andreas Scholl and the married couple Roberto Alagna and Aleksandra Kurzak, who mainly perform dramatic 19th-century operas. Together, they make Pärt’s Stabat Mater an unforgettable and penetrating experience. (Five stars out of five) »
Opera Magazine - Jacques Bonnaure - November 2022
❝ The QUALITY of the 3 soloists’ voices, the HUMILITY of their approach, always respectful of the SIMPLICITY and the INTERIORITY of the music, give a striking relief to this inhabited score. For them, we will come back to it ❞
READ MORE (EXCERPTS translated from French) | « This CD, called Arvo Pärt: Stabat Mater, was recorded in the studio in September 2021 and includes vocal pieces for countertenor, performed by Andreas Scholl, as well as the Stabat Mater which gives the disc its title. This time, it is a more ambitious work, [...] given here in an arrangement for three solo voices and string orchestra by Tomasz Wabnic, who conducts it with the Morphing Chamber Orchestra. Andreas Scholl, Roberto Alagna and Aleksandra Kurzak venture outside their usual repertoire, but the quality of their voices, the humility of their approach, always respectful of the simplicity and the interiority of the music, give a striking relief to this inhabited score. For them, we will come back to it. »
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