CARUSO 1873 - CONCERT - PARIS
Programm
Puccini - Le Villi La Tregenda (orchestre)
Puccini « Vecchia zimarra », air extrait de Marcello de La Bohème
Pergolesi « Tre giorni son che Nina »
Puccini - Preludio Sinfonico (orchestre)
Niedermeyer « Pietà, Signore »
Haendel « Fronde tenere e belle… Ombra mai fu », air extrait de Serse
Mascagni - Le Maschere, Sinfonia (orchestre)
Gomes « Mia piccirella »
Cottrau « Santa lucia »
Nutile « Mamma mia, che vo’ sapé? »
Giodano - Fedora- Siberia, Intermezzi (orchestre)
Rubinstein « Oh ! Lumière du jour » air extrait de Néron
BIS (6)
Tchaikovski "Kuda... Kuda", air de Lenski extrait d'Eugène Onéguine
Giordano " Amor ti vieta" Air de Loris extrait de Fedora
Caruso - Lucio Dalla
Parce Que - Helene Rhodes
Tu ca non chiagne
Mascagni "Sicilienne" extrait de Cavalleria Rusticana
Performance
Théâtre des Champs Elysées - Paris
February 6th 2020
Cast
Roberto Alagna - ténor
Orchestre National de France
sous la direction de Yvan Cassar
Press Review
Toute la Culture - Paul Fourier - February 2019
❝Literally, in a state of grace; smiling, radiant, of a luminous voice, projected without ever an effort, capable of the most beautiful variations, Roberto Alagna paid a vibrant tribute, not only to Caruso, but, beyond him, to the art of these tenors who made the history of opera with a capital "O". Combining eclecticism, nobility and incredible vocal health, the tenor gave a genuine singing lesson as an illustration of his album Caruso 1873. ❞
EXCERPT “Roberto Alagna, in a state of grace, brings Caruso back to life for an evening at the Théâtre des Champs-Élysées. […] Combining eclecticism, nobility and incredible vocal health, the tenor gave a genuine singing lesson as an illustration of his album Caruso. [...]. Smiling, radiant, of a luminous voice, projected without ever an effort, capable of the most beautiful variations, he paid a vibrant tribute, not only to Caruso, but, beyond him, to the art of these tenors who made the history of opera with a capital "O" and the chronicle of these tunes sometimes considered as minor, like Neapolitan songs. […] He also confirmed that, in addition to the generous singer we know, he is also a real gentleman. He reminds how attentive and scrupulous he is with teamwork. […] So well accompanied, Roberto Alagna - this gentleman of the lyric art - continues to amaze us, to enchant us. This is good news! "
Ôlyrix - Frédérique Epin
❝Sincere vocal commitment, crescendo rising intensity, great generosity for the enthusiastic audience of a packed house, projected top notes radiating through the entire room, ample and generous phrasing directed by the breath, great sensitivity, majestic legato, sweet nuances ❞
EXCERPT: "Roberto Alagna pays tribute [to legendary tenor Caruso and] also to the enthusiastic audience of a packed house with great generosity (six encores!), A sincere vocal commitment and a crescendo rising intensity. […] His phrasing directed by the breath is ample and generous, the top notes projected towards the balconies radiate through the entire room. Galvanized by the applause of the public and ignoring the fatigue, he performs one encore after the others. The ramp-up reaches a peak with the Lensky’s aria ("Kuda, kuda") from Eugene Oneguine by Tchaikovski. Alagna expresses a great sensitivity, a majestic legato and nuances of a sweetness to make any resistance melt. Creating a close relationship with the audience, he spoke on several occasions, announcing his next return to La Scala in Milan or his fear of not remembering the lyrics due to the effect of his jetlag. […] Alongside him, Yvan Cassar, a longtime companion, conducts the Île-de-France National Orchestra and offers dynamic and richly colored orchestral pages. […] The song “Caruso” by Lucio Dalla, sets off thunderous applause […] The evening ended with, not a Neapolitan, but the “very difficult” Turiddu’s Siciliana extracted from Cavalleria Rusticana (Mascagni). The audience rushes out of the room to be ready for the signing session of the national tenor. "
Gallery
21/09/2020
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